Search results for "Paul Ricœur"
showing 3 items of 3 documents
Paul Ricoeur's Surprising Take on Recognition
2011
This essay examines Paul Ricœur’s views on recognition in his book The Course of Recognition. It highlights those aspects that are in some sense surprising, in relation to his previous publications and the general debates on Hegelian Anerkennung and the politics of recognition. After an overview of Ricœur’s book, the paper examines the meaning of “recognition” in Ricœur’s own proposal, in the dictionaries Ricœur uses, and in the contemporary debates. Then it takes a closer look at the ideas of recognition as identification and as “taking as true.” Then it turns to recognition (attestation) of oneself, in light of the distinction between human constants (and the question “What am I?”), and h…
L’héritage de la violence fondatrice selon Paul Ricœur et les justificatifs de la violence sociale : cas de la République démocratique du Congo
2022
National audience
Tarantino's Round Flat Characters: A (Mainly) Verbal Study of Reservoir Dogs (1992).
2012
International audience; This article revisits E.M. Forster's distinction between round and flat characters in order to study the balancing between genre characters and realistic characters Tarantino's first film effects. It starts by examining the relationship between the fictional director of the heist (Joe Cabot), the other characters and the real director in a scene where Tarantino's cameo as a minor character endows the fictional director with authority and consequently emphasizes the shared dimension of filmmaking. The author then argues that the characters' capacity to identify and articulate flatness and rotundity in themselves and each other makes them appear round as it implies tha…